“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.”— Elliott Erwitt

Photographer Interview: Candace Karch

How do you think starting shooting in an era of film cameras affected your attitude towards photography? Photography is magic. I began taking photographs at an early age before I even knew that it would become my medium of choice. By the time I was in my teens I knew that the roll of film (that I struggled loading into any camera) would transform the way [...]

Wastelands: Contemporary Chinese Art in Oxford

Wastelands is a contemporary Chinese art exhibition of installation, painting, sculpture and film presenting the works of eight artists who all have links to China. The exhibition explores the idea of ‘waste’ as a result of consumption through different landscapes and materials. Ranging from the ‘aesthetic debris’ in the work of Cai Yuan’s cardboard paintin[...]

Photographer Interview: Jordanna Kalman

Tell us a bit about yourself and your work. I live in upstate NY with my husband and two young girls. I consider my work to be diaristic but not so much in a literal way; I take photos and then look back and try to make sense of them. Sometimes I'll have an idea while I'm shooting but too much direction in creating a series has never worked for me. I like [...]

A Photographic Journal: Hitchhiking Europe

I became lost trying to define myself as a photographer as my priorities changed resulting in a shift from fashion-photography I had been dedicatedly pursuing prior. In February 2013 I was sat in the passenger seat of a car in Lithuania when I discovered an image of soviet architecture through the car windscreen. Two months later I was stood at the side of[...]

Looking for Wonderland: American Observations

This beautiful series is made all the more enjoyable in the form a 124 page book Looking for Wonderland. Books are without a doubt one of the most satisfying ways of observing photographic work, arguably beaten only by framed archival prints. Scrutinising images on a computer screen is a far reach from the joys of touching the images in a well-produced pho[...]

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